Honorary Life Members
The National Collegiate Choral Organization selects Honorary Life Members to recognize a member of the choral profession who has devoted their life to the enhancement and artistic growth of the choral art. The award recognizes those leaders in our profession who have mentored young conductors, inspired singers, supported music educators in the arts, and shared their talents and gifts in the United States and abroad.
Honorary Life Member award recipients are the collegiate and university conductors who have shared their love for choral music devotedly, and who have tirelessly worked to instill this love and joy in their students. Their students often go on to become collegiate choral directors themselves and continue the work of teaching and training young musicians, inspiring the best of our profession.
Honorary Life Members pay no dues to NCCO and may attend all conferences free of registration fees. In this small way, NCCO hopes to show appreciation of and respect for those who have labored and taught to enhance our great profession.
2021 Honorary Life Members
Read below to learn about NCCO’s 2021 Honorary Life Members. In their own ways, each of these individuals has had a major impact on choral music and choral music education through their work at the college and university level. NCCO honors them for their dedication.
Anton Armstrong, Tosdal Professor of Music at St. Olaf College, became the fourth conductor of the St. Olaf Choir in 1990 after ten years in Grand Rapids, Michigan, where he served on the faculty of Calvin University and conducted the Grand Rapids Symphony Chorus. He is a graduate of St. Olaf College and earned advanced degrees at the University of Illinois (MM) and Michigan State University (DMA). He is editor of a multicultural choral series for Earthsongs Publications and co-editor (with John Ferguson) of the revised St. Olaf Choral Series for Augsburg Fortress Publishers. In June 1998, he began his tenure as founding conductor of the Oregon Bach Festival Stangeland Family Youth Choral Academy.
Active as a guest conductor in the United States and abroad, Dr. Armstrong has conducted All-State choirs and choral festivals in nearly all 50 states. Additionally, he has served as guest conductor at international choral festivals and with luminary ensembles including the World Youth Choir, the Indonesia Youth Choir, the Ansan City Choir (South Korea), the Formosa Singers (Taiwan), the Houston Chamber Choir, the Vocal Arts Ensemble of Cincinnati, the Phoenix Chorale, the Westminster Choir and the Tabernacle Choir and Orchestra at Temple Square.
His honors and awards include the 2006 Baylor University Robert Foster Cherry Award for Great Teaching; the 2009 Distinguished Alumni Award from Michigan State University; the 2013 Saltzman Award from the Oregon Bach Festival; and a 2014 Regional Emmy for the PBS television program Christmas in Norway with The St. Olaf Choir.
Marguerite L. Brooks
Marguerite L. Brooks served for thirty-five years as chair of the conducting program at the Yale School of Music and director of choral music at the Yale Institute of Sacred Music. As founding conductor of the Yale Camerata, one of Yale’s first campus/city arts collaborations, Brooks led hundreds of musical performances featuring some of the most innovative and wide-ranging programming in the field. She has long been a champion of new music by composers of a diverse array of gender, ethnic, and racial backgrounds. The Camerata and its chamber chorus have performed music from the middle ages to the present day, and the catalogue of composers ranges from Albinoni to Argento, from Palestrina to Pärt – along with Julia Wolfe, David Lang, Tawnie Olson, Aaron Jay Kernis, Caroline Shaw, Dominick DiOrio, Robert Kyr, Reena Esmail, and many more.
Brooks’s former students occupy positions of musical leadership at major churches and cathedrals around the world and in leading academic institutions. Among her students are the founding conductors of the Grammy-winning choirs Conspirare and Roomful of Teeth, and Grammy-nominated Seraphic Fire. Brooks has been active as a guest conductor, teacher, and clinician. She was a juror for the Eric Ericson conducting competition in Sweden, and has conducted, given master classes, taught, and adjudicated in North and South America, Europe, and Asia. She holds degrees from Mount Holyoke College and Temple University, and has served on the faculties of Smith and Amherst Colleges and the State University of New York at Stony Brook.
Brooks was cited by the Yale School of Music for cultural leadership in music, given its Gustave Stoeckel Award for Excellence in Teaching, and has received alumni awards for distinguished work in her field from both Mount Holyoke College and Temple University. Presented with a Lifetime Achievement Award by the Connecticut chapter of the American Choral Directors Association in 2016 and by Choral Arts New England in 2019, Brooks is proud to have been honored as a Woman in History by the Barnard School. In 2020 Brooks received the Helen Kemp
Award for Lifetime Commitment to Excellence in Choral Music from the Eastern Division of ACDA. The National Collegiate Choral Organization, of which Brooks is a charter member and an honorary life member, celebrated her retirement in 2020 by initiating the Marguerite L. Brooks Commissioning Fund for New Choral Music.
Dr. Janet Galván, recently retired Director of Choral Activities at Ithaca College, was recognized by her New York colleagues for her contribution to choral music when she received the American Choral Directors Association (ACDA) New York Outstanding Choral Director Award. Dr. Galván was also awarded the Ithaca College Faculty Excellence Award in 2018 and 2007 and the Distinguished Alumni Award in Music Education and Choral Music from the University of North Carolina in 2016.
As a guest conductor of choral and orchestral ensembles, Galván has conducted professional and university orchestras including Virtuosi Pragenses, the Madrid Chamber Orchestra, and the Cayuga Chamber Orchestra in choral/orchestral performances. She has conducted national, divisional, and state choruses throughout the United States for ACDA, the National Association for Music Educators (NAfME),and the Organization of American Kodály Educators (OAKE). She has worked with ensembles of all ages, from adult professional choirs to children’s choirs. She has conducted choruses and orchestras in venues such as Carnegie Hall, Boston’s Symphony Hall, Washington’s Constitution Hall, Minneapolis’ Symphony Hall, Pittsburgh’s Heinz Hall, and Nashville’s Schermerhorn Symphony Center. She has conducted her own choral ensembles in Carnegie Hall, Lincoln Center’s Alice Tully Hall, and Avery Fisher Hall as well as in concert halls in Ireland, Italy, the Czech Republic, Austria, Canada, and Spain.
Galván was one of the first nine national honor choir conductors for ACDA and was the conductor of the North American Children’s Choir which performed annually in Carnegie Hall. She was also a guest conductor for the Mormon Tabernacle Choir in 2002.
Galván has been a guest conductor and clinician in in the United Kingdom, Ireland, throughout Europe, Canada and in Brazil as well as at national music conferences and the World Symposium on Choral Music. She was on the faculty for the Carnegie Hall Choral Institute, the Transient Glory Symposium, the Oberlin Conducting Institute, and the Curso de Dirección de Coro in Madrid.
Galván’s students have received first place awards and have been finalists in both the graduate and undergraduate divisions of the American Choral Directors biennial National Choral Conducting Competition. Many of her former students are now conducting university and professional choirs and orchestras. In addition, she has been an artist in residence at many universities, leading masterclasses, working with the university choirs, and presenting sessions. Dr. Galván was a member of the Grammy Award-winning Robert Shaw Festival Singers (Telarc Recordings).
Galván was the editor of two choral music series and is the author of chapters in two books, Teaching Music through Performance in Choir, Volume 2 and The School Choral Program: Philosophy, Planning, Organizing and Teaching. She was also the series advisor to Latin Accents, a series with Boosey & Hawkes. She was a contributing author to multiple books, including Choral Cookbook; Standards, MENC Publication on Strategies for Implementing the National Standards; and The Choral Conductor's Companion. A chapter of Working With Young Singers, Vol. 1, was devoted to an interview with Galván.
Galván has contributed articles to many professional publications. Mostly recently, she co-authored the feature article about Virtual Choirs with Matt Clauhs in the Choral Journal. Her article on the changing voice was published in the International Federation of Choral Music Journal in August of 2007 and was reprinted in La Circulare del Secretariat de Corals Infantils de Catalunga.
David Morrow is a native of Rochester, New York. He earned the Bachelor of Arts degree from Morehouse College in 1980. While at Morehouse, he became a member of Phi Beta Kappa, was awarded the Kemper Harreld Award for Excellence in Music, received departmental honors, and graduated Valedictorian of his class. He received the Master of Music degree from the University of Michigan in 1981 and was elected to Pi Kappa Lambda. He received the Doctor of Musical Arts degree from the University of Cincinnati College Conservatory of Music in 1995. He has studied conducting with Wendell Whalum, Thomas Hilbish, Elmer Thomas, John Leman, Earl Rivers, Elizabeth Green, Teri Murai, Fiora Contino and Donald Neuen.
Dr. Morrow has been a member of the Music faculty at Morehouse College since 1981. In 1987, he succeeded Dr. Wendell P. Whalum as Director of the Glee Club. In 2013, Dr. Morrow celebrated the 25th anniversary of his directorship of the Glee Club. Alumni and current students honored him singing Psalm 15; a piece composed for the occasion by alumnus Carlos Simon, and also presented him with a silver, engraved baton for his dedication in leadership. He is also Director of the Wendell P. Whalum Community Chorus, Co-Director of the Morehouse-Spelman Chorus, and Artistic Director and Conductor of The Atlanta Singers.
Dr. Morrow’s conducting honors include, conducting the Morehouse College Glee Club for the 1991 Kennedy Center Honors as part of the tribute to Robert Shaw, Conductor Laureate, Atlanta Symphony Orchestra, conducting soprano Jessye Norman and the Spelman-Morehouse Chorus at Atlanta's Symphony Hall celebrating the 1994 Martin Luther King, Jr. Holiday, conducting the combined choruses of the Atlanta University Center and Natalie Cole singing the National Anthem for Super Bowl XXVIII, conducting the Morehouse College Glee Club for the Opening and Closing Ceremonies of the 1996 Atlanta Centennial Olympic Games. In addition there are numerous performances with the Glee Club in the United States including its centennial celebrations, performances with the Tallahassee Symphony Orchestra and the Charlotte Symphony Orchestra, and international performances with the Glee Club include tours of Poland, Bermuda, the Bahamas, South Africa, Canada, Puerto Rico, Honduras, and Algeria.
In 2002, Dr. Morrow was guest conductor for Centro Ecuatoriano Norteamericano’s first Festival of Spirituals in Guayaquil, Ecuador, was the conductor of the 2009 “105 Voices” HBCU Concert Choir at the Kennedy Center and a recurring conductor on the masterworks series for the Colour of Music Festival in Charleston, South Carolina. In addition, he has conducted honors choruses across the country, lectured or conducted workshops in public schools, colleges and universities, including the Detroit Public Schools, University of Tennessee-Chattanooga, Cornell University, University of Cincinnati, Westminster Choir College and Rutgers University. His choral arrangements of spirituals and other African American folk music have been published by Alfred Music Publishers, Hal Leonard Music, and Oxford University Press, and GIA Music Publishers.
Dr. Morrow is a member of Metropolitan Atlanta Musicians Association, past president of The National Association of Negro Musicians, and is a member of the Georgia Council for the Arts. He serves on the Board of Directors of the Intercollegiate Men's Choruses, Inc. and Chorus America, Inc. He is a member of the American Choral Directors Association, Chorus America, the Georgia Music Educators Association, National Collegiate Choral Organization, Phi Mu Alpha Sinfonia, is a “Friend of the Arts” member of Sigma Alpha Iota.
NCCO's Honorary Life Members
Charlene Archibeque (’15)
Anton Armstrong ('21)
William Bausano (’09)
Jerry Blackstone (’17)
Marguerite L. Brooks (’21)
Simon Carrington (’15)
Joan Catoni Conlon (’19)
William Dehning (’11)*
Randi Von Ellefson (’17)
Joseph Flummerfelt (’13)*
Kenneth Fulton (’17)
Janet Galván ('21)
Vance George (’09)
Lisa Graham (’19)
Buddy James (’19)
Ann Howard Jones (’17)
Karen Kennedy (’19)*
Jerry McCoy (’19)
David Morrow ('21)
Robert Page (’08)*
Alice Parker (’11)
André J. Thomas (’17)
Dale Warland (’06)